PY.530 (Voice)

This course prepares students to sing artistically in Italian through a combination of dictionstudy, text translation, and performance. Prerequisite: minimum one semester of collegestudy of Italian language or permission of instructor.

Prerequisite(s): Open to Voice majors only.

Distribution Area: P, Y

A study of Russian vocal music, including analysis and performance of selected works.

Prerequisite(s): Open to Voice majors only.

Distribution Area: P, Y

A study of selected works in opera from the 17th century to present, with emphasis on compositional styles and traditions of performance. Offered in alternate years.

Distribution Area: P, Y

A study of the International Phonetic Alphabet and the English language, with particular attention to American English, its unique sounds and their execution in singing.

Prerequisite(s): Open to Voice majors only.

Distribution Area: P, Y

A thorough examination of the phonemic/phonetic system of German pronunciation and its application to singing in that language. The course is designed to give students not only the professional tools to analyze the phonetic problems in German texts (and to transcribe those solutions with the aid of IPA), but also the ability to hear for themselves how those solutions can be applied. Special emphasis is placed on Bühnenaussprach/Hochlautung, noting the differences between speaking and singing in that language, and the resulting choices that the student will need to make in achieving a good and flexible singing pronunciation. The course emphasizes speaking and then singing excerpts from the German vocal repertoire from opera, oratorio, and Lieder.

Prerequisite(s): Open to Voice majors only.

Distribution Area: P, Y

Prerequisite(s): Open to Voice majors only.

Distribution Area: P, Y

A thorough examination of Polish pronunciation for the stage and the IPA transcription of the language. Students will learn the sounds of Polish, along with essential information on relevant aspects of performing in this language. Students will master multiple aspects of singing in Polish, such as nasal vowels, double consonants, and the infamous consonant clusters. The course is designed to also provide singers with resources and suggestions of Polish vocal repertoire.

Prerequisite(s): Voice majors only

Distribution Area: P, Y

A study of French vocal music, its poetry and interpretation, with attention to diction (using the International Phonetic Alphabet) and grammar, including analysis and performance of selected works.

Prerequisite(s): Open to Voice majors only.

Distribution Area: P, Y

Survey of Italian Vocal Literature and in-class singing to learn musical styles of this literature.

Survey of German Vocal Literature and in-class singing to learn musical styles of this literature.

Survey of French Vocal Literature and in-class singing to learn musical styles of this literature.

This two-semester course is an introduction and review of the International Phonetic Alphabet and its application in writing, speaking and singing English, French, German and Italian. Emphasis will be placed on the study of the IPA and its application in each of the four languages. Required for graduate voice students who do not pass the Diction Placement Exam.

Prerequisite(s): Open to Voice majors only.

This two-semester course is an introduction and review of the International Phonetic Alphabet and its application in writing, speaking and singing English, French, German and Italian. Emphasis will be placed on the study of the IPA and its application in each of the four languages. Required for graduate voice students who do not pass the Diction Placement Exam.

Prerequisite(s): Open to Voice majors only.;Completion of Graduate Diction Review 1 required, PY.530.545[C].

A survey of English and Italian song literature from the Renaissance to Modern day, applyingthe International Phonetic Alphabet (IPA) to specific repertoire. Prerequisite: EnglishDiction and Italian Diction.

Prerequisite(s): Undergraduates need to have completed English and Italian Diction in order to enroll, PY.530.469[C] and PY.530.475[C].;Open to Voice majors only.

Distribution Area: P, Y

A study of selected vocal works and styles in French and German from the 17th century tothe present, with emphasis on compositional trends, traditions of performance, and exposureto a wide variety of literature from both cultures and languages. Prerequisite: GermanDiction and French Diction.

Prerequisite(s): Undergraduates need to have completed German and French Diction in order to enroll, PY.530.477[C] and PY.530.483[C].;Open to Voice majors only.

Distribution Area: P, Y

In this class, students are guided through every facet of learning and preparing an operatic role to professional standards. We will address issues like organizing your score, time management, and learning strategies as needed. Eventually, meetings will include intensive role-specific training, including: language study (translation and diction), score and source material study, how to work effectively with a vocal coach, conductor, and stage director, as well as preparing for professional auditions. There will be a special focus on recitative preparation and performance in the first half of the semester, and there will also be a segment on recital and concert programming. Discussions will include how you go about choosing the right repertoire, including contemporary material, and how you know when you are ready to go out an audition for both professional companies and music organizations, as well as YAP's.

Prerequisite(s): Open to voice majors only.

Distribution Area: P, Y

An introduction to the performance of solo vocal repertoire by J. S. Bach. Singers will study and present representative selections from the St. Matthew Passion, St. John Passion B Minor Mass, Magnificat, Christmas Oratorio, and selected cantatas. The elements of style will be addressed, including the rhetoric of Bach recitative. Cultural and historical context will also be examined.

Prerequisite(s): Open to Voice majors only.

Distribution Area: P, Y

Analysis and performance of selected works from the American musical theater, beginning with Jerome Kern and continuing to present-day examples. Offered every spring semester.

Prerequisite(s): Undergraduates must have completed their 209 jury in order to enroll in this class.;Open to Voice majors only.

Distribution Area: P, Y

A study of the music and drama of five principle operas. Offered in alternate years.

Distribution Area: P, Y

Distribution Area: P, Y

An in depth study of French vocal music with an emphasis on style and interpretation, as well as attention to diction (reviewing the International Phonetic Alphabet) and grammar, including analysis and performance of selected works.

Prerequisite(s): Open to Voice majors only.

Distribution Area: P, Y

This seminar critically examines the history, nature, and trajectory of art song by African American composers. As such, we will understand that art song by African American composers is significant to the genre of art song as an entity. Using a Critical Race Theory Lens we will investigate the simultaneity race, gender, sexuality, and class oppression as expressed in musical values and the reception history of these works. Students will be required to musically prepare songs, perform them in class, and create short presentations about relevant stylistic elements of the song and information about the composer.

Prerequisite(s): Open to Voice majors only.

Distribution Area: P, Y

A class participation course that includes an introduction to various voice teaching methods and their respective approaches to posture and breathing, registration, resonation, coordination, interpretation, and vocal health; an examination of the anatomy and function of the vocal mechanism; student teaching; teacher observation; repertoire and recital planning. Required for the MM in Voice with Pedagogy Emphasis and the DMA in Voice, Option C; an elective for seniors and other graduate students.

Prerequisite(s): Open to Voice majors only.

Distribution Area: P, Y

This semester of vocal pedagogy will be continuation of the introduction of relevant content through in-house and guest lecturers. Elements critical to an effective teaching studio will also be covered. Stimulating class discussion will be a vital part of the students’ understanding of class content. Reading assignments accompany each class.

Prerequisite(s): Open to Voice majors only.;Completion of previous course required, PY.530.683[C].

Distribution Area: P, Y

Participants in this performance seminar will prepare and present representative oratorio repertoire from the 18th century to the present. Students will acquire an understanding of the breadth of styles in this body of repertoire and will complete the course with a list of works of practical value for themselves in the future. The term “oratorio” will be considered broadly, and may include symphonies with voice (e.g. Beethoven 9 and Mahler 2 & 4) but not concert works for solo voice (e.g. Mahler Des Knaben Wunderhorn and Ravel Shéhérezade).

Prerequisite(s): Open to Voice majors only.

Distribution Area: P, Y

A performance practice course including score reading, definitions of the technical language of avant garde music, and contemporary vocal techniques. Performance is optional. Offered in alternate years.

Prerequisite(s): Open to Voice majors only.

Distribution Area: P, Y

A survey of contemporary vocal literature and notational practices, including discussion oftechniques for learning complex music and coaching of selected repertoire. Students willpresent on topics, techniques, and repertoire. A course for singers, pianists, composers,conductors and others.A continuation of the fall semester. Prerequisite: PY.530.691 or permission of instructor.

Prerequisite(s): Open to Voice majors only.;Completion of previous course needed, PY.530.691[C].

Distribution Area: P, Y

This course is designed to present students with analysis, preparation, and performance of the poetry and music found in German Lieder. Through detailed study of poetry and music, we will trace the development of German song from it’s humble origins, to the great song cycles of Schubert, Schumann, Wolf, Mahler, and beyond. Attention will be paid to appropriate diction, style, and practical performance of the German vocal literature.

Prerequisite(s): Open to Voice majors only.

Distribution Area: P, Y