AS.491 ( Science Writing)

This core course develops and hones the reporting, creative, and explanatory skills demonstrated by the best science and medical writers. The course features writing assignments and exercises in journalistic and literary writing, plus interviewing, ethics and the use of scientific journals and databases. In some cases, students may be able to choose from a range of writing topics, including nature, technology, health, space, biology, medicine, or other scientific issues. Science Writing students should complete this course before enrolling in any writing workshop. Departmental approval and a writing sample required for students not enrolled in the Science Writing Program.

In a writing workshop, students receive professional guidance in translating complex scientific, medical, or technological knowledge and research into graceful, lucid prose. Students submit individual essays or articles, or parts of a larger work in progress. Writing submissions are critiqued by peers as well as by the instructor, then revised. Students are encouraged but not required to take this course from different instructors. (The three section numbers designate the academic term in which the workshop is offered. Students earn workshop credit by taking any section number multiple times, or by combining any sections.) Prerequisite: 491.658 or 491.750

In a writing workshop, students receive professional guidance in translating complex scientific, medical, or technological knowledge and research into graceful, lucid prose. Students submit individual essays or articles, or parts of a larger work in progress. Writing submissions are critiqued by peers as well as by the instructor, then revised. Students are encouraged but not required to take this course from different instructors. (The three section numbers designate the academic term in which the workshop is offered. Students earn workshop credit by taking any section number multiple times, or by combining any sections.) Prerequisite: 491.658 or 491.750

In a writing workshop, students receive professional guidance in translating complex scientific, medical, or technological knowledge and research into graceful, lucid prose. Students submit individual essays or articles, or parts of a larger work in progress. Writing submissions are critiqued by peers as well as by the instructor, then revised. Students are encouraged but not required to take this course from different instructors. (The three section numbers designate the academic term in which the workshop is offered. Students earn workshop credit by taking any section number multiple times or by combining any sections.) Prerequisite: 491.658 or 491.750

This workshop course explores the reporting and writing techniques used to produce compelling stories about technology, its inventors, and its consumers. Students first analyze outstanding examples of technology writing on a range of subjects, forms, and styles, from hard news to creative nonfiction. They then submit their own writing about technology for standard workshop discussion. Special topics include making technology interesting to the non-geek and avoiding a tendency to sound promotional about consumer goods. Guest speakers who specialize in technology writing will discuss how to attract readers and find work in the field. This course counts as a workshop for degree or certificate requirements. Prerequisite 491.658 or 491.750

This Residency course, intended to be onsite in Washington, D.C., explores how science, medicine and technology are affected by politics and practices within government, the private sector and within the fields themselves. Students or program alumni use the evolution of science policy as context for discussion, research, and writing about contemporary issues. Students meet with leaders from Capitol Hill, the White House, and federal agencies, and they visit important sites relevant to science policy.

This reading course focuses on the species and phenomena that make up “nature” (the outdoors, ecosystems) and human interaction with nature. Students analyze books, essays, and articles from writers who tell stories ranging from the gripping outdoor adventure to the reflective yet penetrating personal essay. Students will also engage in immersive nature writing exercises. For this course, you will be taking a step into the wild. Nature writing is considered a subset of science writing. Readings may include authors such as David Quammen, John McPhee, Elizabeth Kolbert, Gretel Ehrlich, Camille T. Dungy, Helen Macdonald, Kathryn Schulz, Latria Graham, Robin Wall Kimmerer, and Bonnie Tsui.

In this reading elective, students analyze books, magazine articles, and newspaper series to discover how the best science, medical, nature, and environmental writers create compelling, entertaining, factual literature. Craft topics include structure, pace, sources, content, explanatory writing, and clear, lyrical language. Assignments may include brief reviews and a team presentation of an assigned book. Featured authors vary from one semester to the next; past courses have read works by Atul Gawande, Rachel Carson, Sushma Subramanian, Daniel Duane, Lauren Redniss, Emma Marris, Michael Pollan, John McPhee, and Elizabeth Kolbert, among others.

This elective examines writing on the particle level: sound, syntax, punctuation, rhythm, and pacing. Together, these elements can generate meaningful, understandable, and nuanced content. How does sound echo sense? How does the spin of syntax affect the flavor of the sentence? How does pacing affect the joke? Writers who know the laws of language can navigate them with flexibility or break them with aplomb and purpose. Momentum and energy at these basic levels keep readers engaged and make editors and agents sit up with interest. This elective with workshop elements asks students to bring their favorite sentences from literature and analyze why they work at the most fundamental levels. Class discussions on VoiceThread or other online tools allow students to interact with sound and old-school sentence diagrams. Students will then create science writing projects crafted at the quantum level without losing sight of global goals and overall quality. Science writers who feel like weak bosons when it comes to voice, style, grammar, and punctuation will particularly benefit from this course.

This elective course examines the challenge of engaging the public on climate change, the most serious environmental issue of our time. A highly politicized and polarizing topic, climate change is often called a wicked problem. It is scientifically complex, and while global in nature, the effects of climate change are felt locally, with the most serious impacts disproportionately affecting those least responsible for the problem. What’s more, the worst impacts of climate change will occur sometime in the future, but minimizing those impacts will require large-scale and widespread changes now. Readings are selected from a range of material representing contemporary climate change communication, including books, magazine/newspaper articles, and literary journal essays. Students also evaluate social science research that attempts to explain and overcome the challenge of engaging a public that can be in denial, disengaged, disheartened, and frustrated. In writing assignments, students practice journalistic methods for gathering information, experiment with pitching ideas and translating those ideas into articles, and demonstrate their own strategies for assuring accuracy and gauging the credibility of their sources. This is not a course on the history of climate science, and nor is it a comprehensive survey of the field of climate science. The overall purpose of this course is to produce writers who can generate exceptional articles and essays about climate change. Course activities will help students publish their writing about climate in newspapers, magazines, podcasts, broadcasts, and other venues for the lay public.

Students learn techniques of humor writing and how to include humor effectively in science writing. Aided by funny weekly readings, hilarious multimedia examples, and completely serious class discussions (on VoiceThread, Canvas, or other modalities), students analyze their favorite comedic sentences and scenes, discover their own style of humor, and practice applying the 11 Funny Filters of Scott Dikkers—a founding editor of The Onion—to science writing. Students complete two projects: a collection of their best one-liners (a foundational skill in comedy writing) and either a funny made-for-web science video (based on a workshopped script) or a funny science essay/article. Possessing a funny bone is not a prerequisite for this course, but PLEASE NOTE—we will be following the Seinfeld Strategy, where students will be expected to write for 20 minutes every day. This is a highly entertaining course, but be prepared to work! As John Cleese said, those who laugh most, learn best.

Students learn the magazine editorial and production process through the creation of a special issue of The Science Writer, the Science Writing Program's online publication. Working with the instructor and an editorial team comprised of JHU Science Writing alumni, students participate in every aspect of a modern editorial process, including choosing a theme for the issue, pitching articles or multimedia pieces, creating content, revising work based on the editors' feedback, and working with copy editors, fact-checkers, and web designers. Each student in the class is expected to publish at least one article in The Science Writer. Class guests will include editors and publishers of online magazines. No tech or design skills are required.

Whether the author has received a National Magazine Award, a Pulitzer, a Peabody award for electronic media, or a lesser-known writing award, the readings in this course offer lessons in reporting and writing for any science writer. Assigned readings and multimedia may include articles, essays, books, or podcasts. Prizewinning guest authors visit the class, by video or tape, to discuss how they created their winning work. Students may join in team or individual presentations, with several options for a final writing assignment.

This Residency course takes students to the front lines of scientific research, with a focus on reporting skills, story idea development, and the craft of explanatory writing. Science in Action explores fields beyond medicine and health, including space, environment, energy, climate change, and other topics. The course involves field trips and lab visits, plus video and other links with visiting or out-of-town scientists. This Residency course is held in Washington, Baltimore, or other locations, as announced.

Maine’s Mount Desert Island, home to Bar Harbor and Acadia National Park, is a place of exquisite natural beauty. With thriving environmental science centers and a world-class genetics laboratory, the island is also a hub of cutting-edge research. This Residency course allows participants to immerse themselves in the region’s stimulating natural and intellectual environments while honing their reporting skills, refining their writing artistry, and gathering information for stories. The course will include field excursions, group discussions, and independent writing/reporting time

This residency course is a fast-moving journey into the world of public health. Students will come face-to-face with public health practitioners and researchers working on the world’s most pressing health issues, as well as with journalists who cover the critical work they do. In presentations and meetings, public health researchers, practitioners, and advocates will discuss their work; and the instructor and guest journalists will offer guidance on public health reporting. Possible discussion or lecture topics: communicating the uncertainty of disease modeling, avoiding sensationalizing or downplaying a public health issue, explaining confusing concepts such as prevalence vs. incidence, and telling accurate and complete stories that present diverse perspectives. Students will develop their own story ideas on public health, receive coaching on publishing their writing, and may have the opportunity to contribute to a group writing project.

Empiricism, skepticism, reason – ideas central to modern science (and science writing)--flourished during the Scottish Enlightenment of the 18th and early 19th centuries. At Scottish universities and intellectual societies, thinkers and scientists such as James Hutton, Joseph Black, Mary Somerville, and James Watt advanced the fields of chemistry, medicine, engineering, and others.This course will travel back through the centuries to visit key sites and figures of this seminal period. Home base will be Edinburgh, named in the 18th century as “The Athens of the North” for its Greek-inspired architecture and explosion of new ideas. Activities will include talks with historians of science and medicine and visits to sites important to science heritage, such as the Royal College of Physicians (est. 1681) and Arthur’s Seat volcano, where geologist James Hutton’s research helped reveal that Earth is billions of years old. The group will also contemplate more recent Scottish science history (e.g., the cloning of Dolly the Sheep).Discussions will explore science history’s place in today’s science writing: As science and science journalism move apace, why bother to investigate science history? How and when might looking backward enrich a story about a contemporary scientific development? Moreover, science history itself proffers a trove of fascinating untold stories – How can writers find such historical gems?Students will also critically examine the writer’s role in reckoning with historical events now perceived as negative. As we “fix our eye on the now distant point from which we have drifted” (Sir Walter Scott), what can we ascertain about that starting point, including its more troubling aspects? Finally, the course will provide practical guidance, including lessons on searching archives and pitching history-grounded science stories for publication. As a final assignment, students will write a science story that makes use of historical sources.

This hands-on course focuses on the art and craft of editing science nonfiction stories. Writing exercises and editing projects are designed to mimic work in a paying market, and you will learn to think like an editor as you work through each step in the process of crafting concise and compelling science articles—from pitch selection to developmental editing, line editing, copyediting, fact-checking, and proofreading. You will face the myriad factors editors must consider at every stage as you craft your own nonfiction story and edit the work of your colleagues. Students will also be introduced to new editing tools. This course will benefit any writer hoping to pursue an editing career, work with an editor, or sharpen self-editing skills.Prerequisite: 491.658

This core course provides a broad foundation in the diverse forms and venues encountered in contemporary science writing careers. Students learn elements of classic forms, such as essay, profile, news article, and op-ed, and they explore magazines, institutional publications, literary journals, blogs, speeches, and even museum exhibit text. The course covers the differing goals of various forms and how they might be used in multimedia, social networks, and other digital communication. Guest speakers present real-world expertise, with students engaged in discussion, exercises, and writing assignments. Science writing students needing a stronger foundation should complete this course before enrolling in any writing workshop.

This course builds on foundation skills in reporting and writing about science, medicine, or technology by expanding into advanced techniques of research, documents, computer analysis, extended interviews, and other tools. The course also expands knowledge of longer or more sophisticated forms, such as magazine essays, narrative nonfiction, and investigative reporting. Students engage in reporting and writing exercises, which may be discussed in group workshops. With adviser permission, this course may be counted as a workshop. Prerequisite: 491.658 or adviser permission.

Students in this specialized workshop explore and write science narratives, an approach that joins scientific information and storytelling. Students read and discuss examples by authors such as Rebecca Skloot, Ferris Jabr, Sarah Zhang, Elizabeth Kolbert, and Dava Sobel, as well as write their own narratives. This course provides a workshop credit for science writers. Prerequisite: 491.658 or 491.750

In this specialized workshop, students experiment with memoir and the personal essay as distinct forms and as an exploration of the self. Seminal essays are read to clarify students' thoughts and to help them develop their own voice and style in personal science writing. The topics of health, technology, environment, and other realms of science or medicine will be paramount, whether in reported content or within the personal experience, feelings or ideas of the writer. This course provides a workshop credit for science writers. Prerequisite: 491.658 or 491.750

This workshop focuses on writing about people involved in science, medicine, technology, or policy. Students analyze models of the form, then report and write profiles of various lengths and purpose, from mini-profiles to quick features to longer, in-depth works. The course includes guest speakers who specialize in the research, interviews, and writing needed for effective, readable biographical works. This course provides a workshop credit for science writers. Prerequisite: 491.658.or 491.750

With its snow-capped mountains, icy trout-filled streams, glaciers, bison, and grizzly bears, Montana is a land of rugged natural beauty. It is also home to a unique set of environmental concerns. Those glaciers are melting. Invasive species threaten native habitats. The range and population of the grizzly are hotly debated. Climate change appears to be increasing the size and intensity of wildfires. Students in this residency course will meet with scientists -- wildlife biologists, ecologists, and wildfire management experts -- who use Montana’s lakes, mountains, forests, and animals as their laboratories to explore such issues. The class will take field trips to sites of active research, with possible excursions to a world-class ecology research station on a 30-mile-long lake; a fire science lab where scientists model fire behavior and develop tools for wildfire management; and the Clark and Blackfoot Rivers, site of a Superfund success story and the inspiration for Norman Maclean’s A River Runs Through It. During the onsite portion of the course, students will practice reporting skills and gather story ideas, engage in craft discussions and creative writing exercises, and be invited to take part in an open mic. Discussions will explore how writers can explain complex, nuanced environmental issues to broad groups of readers, and how writers can evoke the region’s lyricism in their prose. For inspiration, the class will study works by the many literary greats (Maclean, David Quammen, Rick Bass) who have used Big Sky country as their muse. The class will be based at the University of Montana in Missoula, noted for its beautiful campus and as the nation’s premier institution for the study of wildlife biology.

This course examines the issues and inspiration to be found in national lands across the United States. Most of the course’s work takes place during a residency or virtual residency, an intensive week to 10 days of real-time activities. In presentations and meetings, scientists discuss their latest field research; park personnel explain the biggest environmental issues facing national lands; magazine writers and editors relate how they are covering environmental challenges and successes using different media; and members of underrepresented groups talk about their role in these vital landscapes. Instructors present lectures and discussions on the tools and techniques of writing nature/science/national lands-related articles, essays, and books, and students have group and individual time to pursue their own writing, culminating in a student reading. Issues for examination may include the extraction of resources, effects of climate change, and loss of biodiversity on national lands

This final degree program course involves the creation of a thesis and a final capstone experience that prepares a student for a writing career. Students should try to take this course after completing all other cores, workshops, and electives, although exceptions can be made in special cases. Thesis: Each student’s thesis is created from work in earlier courses. Students revise and refine an individual portfolio that may include creative writing, journalism, multimedia, and/or communication writing. The first draft of a thesis is due in the first or second week of the thesis term; students spend the term revising that work under the direction of a one-on-one thesis advisor. Capstone: The group experience of the course requires each participant to develop a career plan that includes personal goals such as publication, job applications, or career advancement. Other capstone experiences may include attending science writing events or seminars, discussions of the changing business of writing, and participation in a thesis reading. Note: All thesis students should submit a Science Writing Thesis Planning Form at least one month before the course begins.

An independent study is reserved for science writing students who have special interests not covered in the program’s curriculum. Most independent studies involve a student working one-on-one with a faculty member or other writer or editor. Students should submit an Independent Study proposal at least 60 days before the start of any term. The proposal must include work equivalent to a full-semester, graduate-level course; interested students should consult their advisor well in advance. Only students who have completed four courses or more are eligible to propose an independent study, and only a limited number are approved each year. The tuition for an independent study is the regular, single-course rate for the term in question. With advisor approval, this course counts as an elective or workshop. For more information, see the Science Writing Program website.

Internships are available to select students with advisor approval. Students should submit an internship proposal well in advance. With the advisor’s help, students may develop their own internship where they live, or they may apply for existing internships at publications, companies, agencies or elsewhere. Internships usually are reserved for students who have completed four courses or more. In most cases, an internship counts as an elective.

This course is for students who completed 491.802 Thesis and Careers in Science Writing but failed to finish an approved thesis and were not approved for an incomplete. If both conditions are met, students must register for this course and pay its accompanying fee for every term (including summer) until a final thesis is approved.