Courses

AS.363.201.  Introduction to the Study of Women, Gender, and Sexuality.  3 Credits.  
This course will serve as an intensive introduction to contemporary approaches to theories of gender and sexuality, and their relationship to cultural production and politics. Students will develop a historically situated knowledge of the development of feminist and queer scholarship in the 20th and 21st centuries, and consider the multiply intersecting forces which shape understandings of sexual and gender identity. We will consider both foundational questions (What is gender? Who is the subject of feminism? What defines queerness?) and questions of aesthetic and political strategy, and spend substantial time engaging with feminist and queer scholarship in comparative contexts. Students will be introduced to debates in Black feminism, intersectionality theory, third world feminism, socialist feminism, queer of colour critique, and trans* theory. We will read both canonical texts and recent works of scholarship, and the final weeks of the course will be devoted to thinking with our theoretical and historical readings against a selection of feminist and queer literature and cinema. No prior familiarity with the study of gender and sexuality is necessary.
Distribution Area: Humanities, Social and Behavioral Sciences
AS Foundational Abilities: Citizens and Society (FA4), Ethics and Foundations (FA5)
EN Foundational Abilities: Engagement with Society (FA4)
AS.363.253.  Disease, Illness and Medicine from the Perspective of Women, Gender and Sexuality Studies.  3 Credits.  
This course invites students to take the perspectives of women, gender and sexuality studies in the study of illness and disease. The course asks: What difference do such perspectives make in the study of disease? Are ways of describing and responding to illness and suffering made available for us to rethink the experience of affliction as such? The course will invite students to consider disease, illness, and suffering as embedded within social worlds and as sites where institutions, medical knowledge, and intimacy are entangled. We will explore topics including: the gender politics of asylum, displacement and refugeehood; the clustering of violence and illness in neighborhoods marked by chronic exposure to police violence; the counter-politics of care in the context of claims to reproductive justice; the politics of the population and the household decision-making in relation to scarcity; the rethinking of the clinical encounter as it is criss-crossed by law in cases of sexual violence.
Distribution Area: Humanities
AS Foundational Abilities: Writing and Communication (FA1), Citizens and Society (FA4), Ethics and Foundations (FA5)
EN Foundational Abilities: Engagement with Society (FA4)
Writing Intensive
AS.363.331.  Gender and Sexuality beyond the Global West.  3 Credits.  
Gender and Sexuality in the Global West. Topics change each semester. See class search for specific topic being taught each term.
Distribution Area: Humanities, Social and Behavioral Sciences
AS Foundational Abilities: Citizens and Society (FA4), Democracy (FA4.1), Ethics and Foundations (FA5)
EN Foundational Abilities: Engagement with Society (FA4)
AS.363.333.  Poetics and Politics:.  3 Credits.  
Topics will vary by term. Please see the specific term and section for current topics.
Distribution Area: Humanities
AS Foundational Abilities: Culture and Aesthetics (FA3), Ethics and Foundations (FA5)
EN Foundational Abilities: Creative Expression (FA3)
AS.363.341.  Making Modern Gender.  3 Credits.  
Gender as we know it is not timeless. Today, gender roles and the assumption that there are only two genders are contested and debated. With the binary gender system thus perhaps nearing its end, we might wonder if it had a beginning. In fact, the idea that there are two sexes and that they not only assume different roles in society but also exhibit different character traits, has emerged historically around 1800. Early German Romanticism played a seminal role in the making of modern gender and modern sexuality. For the first time, woman was considered not a lesser version of man, but a different being with a value of her own. The idea of gender complementation emerged, and this idea, in turn, imposed heterosexuality more forcefully than ever. In this course, we will trace the history of anatomy and explore the role of literature and the other arts in the making and unmaking of gender.
Distribution Area: Humanities
AS Foundational Abilities: Citizens and Society (FA4), Ethics and Foundations (FA5)
EN Foundational Abilities: Engagement with Society (FA4)
AS.363.346.  Queer Performativity.  3 Credits.  
Introduces students to the intersections of queer theory, performance studies, and LGBTQ history with a focus on “queer worldmaking:” the ways in which performances—both theatrical and everyday rituals—have the ability to establish alternative views of the world. Case studies include the ballroom scene in Baltimore and beyond, migratory street youth subcultures, and queer nightlife. This course also offers a unique lens on the archive and historical research by approaching embodied memory, gestures, and ritual as systems for learning, storing, and transmitting cultural knowledge.
Distribution Area: Humanities
AS Foundational Abilities: Culture and Aesthetics (FA3), Ethics and Foundations (FA5)
EN Foundational Abilities: Creative Expression (FA3)
AS.363.405.  A Century of Trans Cultural Production.  3 Credits.  
This discussion oriented seminar will offer an intensive survey of cultural production by trans, non-binary, gender-nonconforming, and intersex artists, writers, poets, and musicians. We will examine how this body of work engages with and contests sexological norms around gender and sexuality, relate it to contemporary critical writing by trans theorists. In a moment of greater visibility for trans people, but one characterized by revanchist backlash, how are forms, genres, and aesthetic strategies used to understand the production of gender in relationship to racism, colonialism, and capitalism? How are trans people forming their own networks to aid in the production and distribution of their work? How do we at Johns Hopkins—site of much problematic medical work on gender and sexuality—understand our positioning relative to these currents? Class discussion will be supplemented by conversations with visiting artists, publishers, and editors, and by an associated series of public readings, lectures, and screenings. We may cover work by Claude Cahun, Leslie Feinberg, Jordy Rosenberg, Juliana Huxtable, Tourmaline, Kai Cheng Thom, Kay Gabriel, Cat Fitzpatrick, and Joshua Whitehead, among others.
Distribution Area: Humanities
AS Foundational Abilities: Citizens and Society (FA4), Ethics and Foundations (FA5)
EN Foundational Abilities: Engagement with Society (FA4)